(de)cypher+ is a Dark+Africana notebook, play+ground, and creative incubator
devoted to the confrontational practice and study of black cultural production, broadly construed.
This project was founded in 2022 in response to a perceived lack of critical engagement
with both the dynamism and pitfalls of black aesthetic inventiveness,
particularly against the global backdrop of rising political, social, and spiritual turmoil.
Our approach to black aesthetics is indebted to Jamaican critic, writer, and playwright, Sylvia Wynter,
who demanded black studies practitioners think long and hard about what art does in the world.
(de)cypher+ publishes, interviews, and offers creative doula and divinatory services
to artists and cultural organizations—each broadly construed—
looking to push their practices towards the unimaginable.
With open hearts and minds, our play together will unsettle the very ground of the practitioner’s thought
to rebuild their creative practice, itself, with renewed vigor and clarity for traversing an uncertain cultural landscape.
Dr. zuri arman (they/thim) is a Dark+Africana practitioner, and the co-founder, editor, and creative director of (de)cypher+dark notes on the culture. Originally from Charlotte, North Carolina, they are currently based in New York City. They recently completed their doctorate in Africana Studies at Brown University where their dissertation was entitled “Towards Criteria of Dark Africana+.” This project lays the groundwork for Dark+Africana as a mytho-philosophical intervention seeking to rupture what they identify as an imperial pattern of thought endemic to western culture called “refortification.” zuri provocatively, rigorously, and creatively argues this enlightenment paradigm disciplines the inventive capacities of black artistic, intellectual, and political experimentalism. “Towards Criteria of Dark Africana+” contributes to an emerging intellectual constellation referred to as dark black study/ies that is composed of heretical junior scholars thinking with and through the negativity of black life. zuri’s other scholarly interests include black critical theory, cultural theory and criticism, critical gender and sexuality studies, intellectual history, black radical thought, Africana Philosophy, and Africana mysticisms. zuri’s prose is featured in Howlround, CLR James Journal, TOPIA: Canadian Journal of Cultural Studies, Ufahamu: A Journal of African Studies, a special issue of Interviewing the Caribbeaned. by Carole Boyce Davies, Surviving the Future: Abolitionist Queer Strategies (PM Press), Burnaway Magazine of Contemporary Art from the South, Collision Literary Magazine, and Rock the Bells. Pdfs of their scholarship can be found at the links above. As they are an independent scholar without institutional support, you can also monetarily their independent creative and intellectual practice here.
Under the alias nappymetafysics+, zuri’s ante-anti-genre critical-creative practice blends the visual, the sonic, the poetic, and the mystical to explore a constellation of insurgent questions without the intellectual constraints of the written form and economic shackles of the academic job market. Their Dark+Africana practice orbits matters of origins, radicalism, sexuality, diaspora, and black existentialism with no attempt to arrive at any certain answer. Thus far, their sonic-visual project entitled Capoeira in Church (2020) was exhibited at the 2024 Providence Biennial for Contemporary Art. This early attempt at ‘bleeding’ deploys absurdism and collage to grapple with the unbearable weight of state repression. At the end of 2025, zuri delivered a lecture-performance at Gallery Gachet in Vancouver, Canada in tandem with the gallery’s 2025 exhibit Act 3: As Visible as Blood, and in early 2026 delivered the inaugural lecture at York University’s YRC II Black Sonic Cultures in Toronto, Canada. They are currently working on a note-book and accompanying score that fleshes out bleeding as a Dark+Africana approach to creative making composed of aesthetic divination, shadow alchemy, and ancestral veneration to ultimately attempt to remember the immemorable and mourn the unmournable. In Spring 2026, part of this evolving project was displayed at the Brown Arts Institute.
In their free time, zuri enjoys correctly guessing others’ astrology signs, rapturous laughter, and asking ecstatic questions to which there is no sens(i/a)ble answer or solution.